Silver Jews play "Pretty Eyes" in a cave.
Saturday, December 29, 2012
Friday, December 28, 2012
Thursday, December 27, 2012
Monday, December 24, 2012
Thursday, December 13, 2012
annual best of the year mixes
(back cover/front cover)
(inside)
Download Volume 1.
(back cover/front cover)
(inside)
Download Volume 2.
(inside)
Download Volume 1.
(back cover/front cover)
(inside)
Download Volume 2.
Wednesday, December 12, 2012
Friday, November 30, 2012
Tuesday, November 27, 2012
Saturday, November 3, 2012
Thursday, October 4, 2012
Friday, September 14, 2012
Thursday, September 13, 2012
Thursday, September 6, 2012
FYF 2012
Moonface - "Fast Peter"
Future Islands - "Give Us the Wind"
M83 - "Reunion"
Father John Misty - "Fun Times in Babylon"
King Khan & the Shrines - "Luckiest Man"
Lightning Bolt
Dinosaur Jr. - "Thumb"
Dinosaur Jr. - "The Lung"
Dinosaur Jr. - "Kracked"
Future Islands - "Give Us the Wind"
M83 - "Reunion"
Father John Misty - "Fun Times in Babylon"
King Khan & the Shrines - "Luckiest Man"
Lightning Bolt
Dinosaur Jr. - "Thumb"
Dinosaur Jr. - "The Lung"
Dinosaur Jr. - "Kracked"
Wednesday, September 5, 2012
Tuesday, September 4, 2012
Thursday, August 30, 2012
Wednesday, August 29, 2012
Tuesday, August 28, 2012
Monday, August 27, 2012
Monday, August 13, 2012
Sunday, August 12, 2012
Thursday, August 9, 2012
Wednesday, August 1, 2012
Wednesday, July 25, 2012
Saturday, July 21, 2012
This post consists of:
1. This clip from Sherman's March (1986)
2. this other clip from Sherman's March (1986), which I already posted several years ago,
3. which equals my futile attempt to convince anybody to watch this Essential American Documentary.
2. this other clip from Sherman's March (1986), which I already posted several years ago,
3. which equals my futile attempt to convince anybody to watch this Essential American Documentary.
Wednesday, July 11, 2012
Saturday, July 7, 2012
A Dinosaur Jr. Evolution in Music Video
1. "Little Fury Things" (1987)
2. "Freak Scene" (1988)
3. "Just Like Heaven" (1989)
4. "The Wagon" (1991)
5. "Thumb" (1991)
6. "Start Choppin" (1993)
7. "Get Me" (1993)
8. "Feel the Pain" (1994)
9. "I Don't Think So" (1994)
10. "Over It" (2009)
2. "Freak Scene" (1988)
3. "Just Like Heaven" (1989)
4. "The Wagon" (1991)
5. "Thumb" (1991)
6. "Start Choppin" (1993)
7. "Get Me" (1993)
8. "Feel the Pain" (1994)
9. "I Don't Think So" (1994)
10. "Over It" (2009)
Monday, July 2, 2012
Friday, June 29, 2012
Thursday, June 28, 2012
Tuesday, June 26, 2012
Monday, June 25, 2012
Thursday, June 21, 2012
Wednesday, June 20, 2012
Tuesday, June 19, 2012
Monday, June 18, 2012
Sunday, June 17, 2012
Wednesday, June 13, 2012
Monday, June 11, 2012
Friday, June 1, 2012
Sunday, May 27, 2012
Friday, May 18, 2012
Wednesday, May 16, 2012
Wednesday, May 2, 2012
Romanian [Proto] New Wave [Literary Supplement Version], Part 7
Like every institution, theatres had to fulfil their own financial plan. With no one interested in the plays approved by the censors, and their coffin-making bringing in too little income, theatre directors were happy to turn a blind eye when black-marketeers turned up with pirated videos of Western movies.
Outside the theatre, posters showed a frowning Romanian soldier. You bought a ticket ostensibly to find out what psychological problems he suffered during the Second World War. Inside, when the curtains rose, instead of the actor wrestling with his political conscience, you saw two large colour TVs waiting for you. The lights went down and the video began: Bruce Lee or 007 came out fighting. And it was my voice on the dubbed sound-track which turned James Bond into a Soviet double agent mocking imperialist spies. The story no longer made much sense, of course, but that was the only way to get the films approved. And I added a few embellishments of my own.
I was translating three movies a week, sometimes just by listening to the sound-track - though Sylvester Stallone's muddy mumble was a bit of a challenge. I had to use my imagination. Rambo cries in the lap of his former Army commander, disappointed by the public's reaction to Vietnam: 'I'm weeping because people do not realize how good Socialism is,' my translation shouted from the loudspeaker.
Sometimes the movies were pirated from Western TV and cut with advertisements. A beautiful blonde girl was skaing her hair after using I don't know what shampoo. I was supposed to keep quiet but, as the Romanian saying goes, my tongue was itching. 'Don't use this Western product, it makes your hair fall out!' my voice admonished from the screen.
The ad showed teeth too perfect to be real, then a gleaming tube of toothpaste. 'Use this toothpaste and your teeth will rot,' my voice boomed in the dark.
The audience didn't care what the translator was saying anyway. At a time when we had only two hours a day of approved TV, to see cars flying through the air or guests of the Great Gatsby dancing at his parties made people happy enough. Men, women and children crowded into the theatres as never before. Now, just imagine the uproar when the power was cut in a hall of 400 seats filled with a thousand people or more.
The fun went on until Securitate found out whose mocking voice was doing the dubbing, and then I was banned from those translations as well. Not that I had a future in that freelance job anyway. A few months later the West complained about pirated videos and Ceausescu finally found out what was happening behind his back. The theatres were empty again.
- Dan Antal
Out of Romania
Outside the theatre, posters showed a frowning Romanian soldier. You bought a ticket ostensibly to find out what psychological problems he suffered during the Second World War. Inside, when the curtains rose, instead of the actor wrestling with his political conscience, you saw two large colour TVs waiting for you. The lights went down and the video began: Bruce Lee or 007 came out fighting. And it was my voice on the dubbed sound-track which turned James Bond into a Soviet double agent mocking imperialist spies. The story no longer made much sense, of course, but that was the only way to get the films approved. And I added a few embellishments of my own.
I was translating three movies a week, sometimes just by listening to the sound-track - though Sylvester Stallone's muddy mumble was a bit of a challenge. I had to use my imagination. Rambo cries in the lap of his former Army commander, disappointed by the public's reaction to Vietnam: 'I'm weeping because people do not realize how good Socialism is,' my translation shouted from the loudspeaker.
Sometimes the movies were pirated from Western TV and cut with advertisements. A beautiful blonde girl was skaing her hair after using I don't know what shampoo. I was supposed to keep quiet but, as the Romanian saying goes, my tongue was itching. 'Don't use this Western product, it makes your hair fall out!' my voice admonished from the screen.
The ad showed teeth too perfect to be real, then a gleaming tube of toothpaste. 'Use this toothpaste and your teeth will rot,' my voice boomed in the dark.
The audience didn't care what the translator was saying anyway. At a time when we had only two hours a day of approved TV, to see cars flying through the air or guests of the Great Gatsby dancing at his parties made people happy enough. Men, women and children crowded into the theatres as never before. Now, just imagine the uproar when the power was cut in a hall of 400 seats filled with a thousand people or more.
The fun went on until Securitate found out whose mocking voice was doing the dubbing, and then I was banned from those translations as well. Not that I had a future in that freelance job anyway. A few months later the West complained about pirated videos and Ceausescu finally found out what was happening behind his back. The theatres were empty again.
- Dan Antal
Out of Romania
Monday, April 30, 2012
Sunday, April 29, 2012
Romanian New Wave, Part 6
In an article published last summer in the English-language journal European Alternatives, Alex Leo Serban, one of Romania’s leading film critics, instructed readers to keep in mind that “there are no ‘waves,’ . . . just individuals.” When I met him in Bucharest in November, Puiu, the director of “Mr. Lazarescu,” was more emphatic. “There is not, not, not, not, not a Romanian new wave,” he insisted, hammering the point home against the arm of his living-room couch.
- "New Wave on the Black Sea"
The New York Times
- "New Wave on the Black Sea"
The New York Times
Saturday, April 28, 2012
Wednesday, April 25, 2012
Wednesday, April 18, 2012
Tuesday, April 17, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
Thursday, April 12, 2012
Tuesday, April 10, 2012
Monday, April 9, 2012
Wednesday, March 21, 2012
Friday, March 2, 2012
Tuesday, January 10, 2012
Sunday, January 8, 2012
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